Peran Media Massa Surat Kabar terhadap Pengaruh The Beatles dalam Perkembangan Musik Indonesia Tahun 1970–2000

Authors

  • Siti Nur Aulia Fakultas Adab dan Humaniora, UIN Sunan Gunung Djati, Bandung, Indonesia Author
  • Mahbub Hefdzil Akbar Fakultas Adab dan Humaniora, UIN Sunan Gunung Djati, Bandung, Indonesia Author
  • Fathia Lestari Fakultas Adab dan Humaniora, UIN Sunan Gunung Djati, Bandung, Indonesia Author

DOI:

https://doi.org/10.70716/perseptif.v4i2.512

Keywords:

The Beatles, popular music, Indonesian press, cultural globalization

Abstract

This study aims to analyze the strategic role of newspapers in introducing and reinforcing the influence of The Beatles on the development of popular music in Indonesia from 1970 to 2000. Utilizing a historical research method with a descriptive-analytical approach, the study underwent four main stages: heuristics, involving the collection of primary sources such as newspaper archives from Kompas, Bali Post, and What’s On; source criticism for data validation; interpretation to analyze data correlations; and historiography to synthesize a systematic historical narrative. Additionally, the study employs Antonio Gramsci’s theoretical framework of hegemony to dissect how mass media functions as a cultural production tool that builds "spontaneous consent" within society regarding Western musical influences. The results indicate that prior to the rise of the internet, newspapers through intensive entertainment columns successfully represented The Beatles not just as a musical group, but as a symbol of modernity, global creativity, and the pinnacle of modern musical aesthetics. Mass media acted as an agent of cultural change, shifting the perception of Indonesian society from viewing Western music as a moral threat to seeing it as a standard of cultural progress. The impact of this coverage is evident in the modernization of local musicians' musicality, the adoption of electric instruments, and the emergence of tribute band phenomena like the Bharata Band, which preserved the collective memory of the public. In conclusion, newspapers acted as cultural curators that strategically shaped national tastes and facilitated the process of cultural hybridization, where local and global elements converged to create a modern Indonesian musical identity that remains rooted in local values.

References

Abdul Aziz Turhan Kariko. (2009). Malay pop: Mass media hegemony in Indonesia popular music. Lingua Cultura, 3(2), 99–106. https://doi.org/10.21512/lc.v3i2.336

Barker, C. (2011). Cultural studies: Theory and practice (4th ed.). Sage Publications.

Bennett, A. (2001). Cultures of popular music. Open University Press.

Blauch, E. (2016). Genre publics: Aktuil magazine and middle-class youth in 1970s Indonesia. Indonesia, 102, 25–49.

Djamaluddin Malik, D. (2014). Globalisasi dan imperialisme budaya di Indonesia. Jurnal Communication, 5(2), 1–12.

Durham, M. G., & Kellner, D. M. (2012). Media and cultural studies: KeyWorks (2nd ed.). Wiley-Blackwell.

Gramsci, A. (1971). Selections from the prison notebooks. International Publishers.

Haryanto, A. (2015). Identitas dan kenikmatan: Politik budaya layar Indonesia. Kepustakaan Populer Gramedia.

Hebdige, D. (1979). Subculture: The meaning of style. Routledge.

Hill, D. T. (1994). The press in New Order Indonesia. University of Western Australia Press.

Ibrahim, I. S. (1997). Posrealitas: Realitas kebudayaan dalam era posmetafisika. Jalasutra.

Annisa, A., & Pratama, F. S. (2022). Kemunculan dan perkembangan musik pop Minangkabau tahun 1950–1990-an. MOZAIK: Jurnal Ilmu-Ilmu Sosial dan Humaniora, 13(2). https://doi.org/10.21831/mozaik.v13i2.53761

Janet Steele. (2005). The rise of media freedom in Indonesia. Journal of Asian Studies, 64(3), 679–690.

Jeremy Wallach. (2008). Modern noise, fluid genres: Popular music in Indonesia. University of Wisconsin Press.

Koentjaraningrat. (2009). Pengantar ilmu antropologi (Rev. ed.). Rineka Cipta.

Krishna Sen, & Hill, D. T. (2000). Media, culture and politics in Indonesia. Oxford University Press.

Kuntowijoyo. (2003). Metodologi sejarah (2nd ed.). Tiara Wacana.

Gottschalk, L. (1986). Mengerti sejarah: Pengantar metode sejarah (N. Notosusanto, Trans.). UI Press.

Moeljono, D. (1995). Obati kerinduan penggemar The Beatles. Bali Post.

Martin, G. (1992). Menjelang summer rock ’92 di Singaraja, ORPI Fams bangkitkan The Beatles. Bali Post.

Nda. (1995). RCTI tayangkan The Beatles. Bali Post.

Nda. (1996). Beatles Batak Bee Gees Light Music, bila Beatles ber sing sing so. What’s On.

Pagar Manurung. (1997, April 20). Sekelumit perjalanan musik Indonesia. Bali Post.

Santoso, D. A. (2014). Aransemen dan kritik sosial lagu-lagu Koes Plus volume 1 tahun 1969. Catharsis: Journal of Arts Education, 3(2), 49–53.

Scheff, T. J. (2006). Emotions and identity: A proximal theory. Sociological Theory, 24(3), 245–260. https://doi.org/10.1111/j.0735-2751.2006.00272.x

Storey, J. (2012). Cultural theory and popular culture: An introduction (6th ed.). Routledge.

Sugiana, D., & Hafiar, H. (2018). Construction of self-identity and social identity of “Koes Plus” music fans. MIMBAR: Jurnal Sosial dan Pembangunan, 34(1), 176–184. https://doi.org/10.29313/mimbar.v34i1.3321

Sumirat, P. (2022). Pengaruh citra band Koes Plus terhadap loyalitas penggemar di Bandung Koes Plus Community. Jurnal Mahardika Adiwidia, 2(1), 25–33.

Marsis, S. (1973, January 19). Lagu pop Indonesia hanya soal cinta. Kompas.

Turhan Kariko, A. A. (2009). Malay pop: Mass media hegemony in Indonesia popular music. Lingua Cultura, 3(2), 99–106. https://doi.org/10.21512/lc.v3i2.336

Vera Syamsi. (2002). The Beatles: The struggles of ideologies and the shaping of national identity in Britain. Wacana: Jurnal Ilmu Pengetahuan Budaya, 4(2), 147–161.

Wallach, J. (2008). Modern noise, fluid genres: Popular music in Indonesia. University of Wisconsin Press.

Weintraub, A. N. (2010). Dangdut stories: A social and musical history of Indonesia’s most popular music. Oxford University Press.

Yampolsky, P. (1989). Hati yang luka: Indonesian popular music in the 1980s and 1990s. Indonesia, 47, 1–17.

Yudi Aristanu. (2014). Kajian identifikasi mengenai ragam musik rock Surabaya tahun 1967–1980 beserta dampak perkembangan musik rock Surabaya 1967–1980. AVATARA: e-Journal Pendidikan Sejarah, 2(3), 500–506.

Downloads

Published

2026-05-28

How to Cite

Aulia, S. N., Akbar, M. H., & Lestari, F. (2026). Peran Media Massa Surat Kabar terhadap Pengaruh The Beatles dalam Perkembangan Musik Indonesia Tahun 1970–2000. PERSEPTIF: Jurnal Ilmu Sosial Dan Humaniora, 4(2), 198-211. https://doi.org/10.70716/perseptif.v4i2.512